Some images from the weekend
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Bio: Geraldine Moorkens Byrne, Ireland. MYSTERY WRITER The Caroline Jordan Mystery Series. The Body Politic, The Body Count. Short Stories, Ceremonies, Non fiction. Poetry: Anthologies (inc Poems From The Lockdown, Where the Hazel Falls) magazines (Asia Geographic, American Dowser) E-zines ( Poetry Life & Times, Prairie Poetry). Some poems have been performed as theatre in Ireland Uk & USA. Collection of poetry "Dreams of Reality" is available on Amazon Kindle
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10:52
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Labels: beach, Dublin, Ireland, ringsend, sandymount, weather, weekend
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10:40
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Labels: imbas, inspiration, Modern Irish Poetry, poetry, urban pagan
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12:14
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Labels: horoscopes, Ireland, irish, Modern Irish Poetry, poem, poetry, scorpio, stars
Everyone knows a Don Miguel. he is the One Most Likely to Become a Rock Star who never quite made it. He is the big fish in a small town, still holding court in his forties to a crowd that is half-admiring, half-jeering; still the class joker, still the clown and the only one in his group to still think in terms of what is "cool" and "not cool."
Or he is the one with complete delusions of granduer. The one who learns to play all the cool songs but plays them like a nerd. Whatever he wears, whatever he does he looks slightly ridiculous. But in his head he is irresistable.
In his equally weedy peers, self-deprecation and good nature overcome the opposite sex's unaccountable prejudice in favour of muscles. In a Don Miguel, resentment grows as women fail to fall at his feet. It is this later incarnation of Don Miguel that inspired this poem, although his alter ego above is just as common and just as annoying..
DON MIGUEL DA CAPO.
He plays guitar.
Strumming chords, and humming to himself.
And when he wants to seduce,
draws out a few bars in the classical style,
and thinks he sounds like a Grandee
of the court of Philip of Spain.
He stretches out his legs
in faded jeans, and hikes the collar of his fleece
He is Don Miguel da Capo, brave and suave
and above all,
Tall.
and no woman as yet
has managed to resist his charm.
He plays guitar.
Half hidden in the corner of a room:
A fixture at our parties.
He never plays loud enough to hear
His humming is a strangled whisper
And no women to my knowledge yet has swooned
Or begged our Mick to play her one more encore.
Yet he remains sanguine,
For he is Don Miguel da Capo,
and all must see the grandeur of this man.
Geraldine Moorkens Byrne
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Labels: byrne, don miguel, Ireland, irish, Modern Irish Poetry, poem, poetry
I just read the news snippet below...
Dentists Gone Bad: The British General Dental Council found David Quelch guilty in January of professional misconduct for pulling two teeth of a patient, against her will, without anesthesia, because she had complained about previous treatments. He supposedly said, "That'll teach you ..." [Daily Telegraph (London), 1-13-07
And this fragment came unbidden into my head:
Pulling teeth
getting a compliment from you
is like pulling teeth.
My knee on your chest
My hand in your mouth
wrenching out some words
ripping them up root and branch
and laying waste
to the soft red tenderness of your gums
Pulling teeth
getting words from you is like pulling teeth.
I am not at all sure what I'll do with it but there you go. Sometimes these things happen....it'll get re worked and parts of it will appear again, or maybe its the irritant in the oyster. but I quite like it, I like the picture.
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Labels: fragment, inspiration, Ireland, irish, Modern Irish Poetry, muse, poem
This poem was written as a result of a recurring dream. I suffer from several interesting sleep problems including clinical insomnia and lucid dreams; night terrors are a common occurance in my sleeping brain. Sometimes though my dreams are like movies, incredibly "real" and I experience them as if they were happening. The scene below is one that haunted many a dream until I found the words to write it. What it means I still don't know; is it something I saw in a past life or a symbol of feminist struggle in a patriarchal society that filtered into my subconscious? Or did I read it somewhere or was it that i ate too much cheese? All I know is on some level I did witness it, watched her walk, understood the story and its significance and I lay it out for you here.
The Joust
Holding a sword like a talisman
Weighed down
under it’s deadly weight
It’s cold beauty mocking her
Her arms aching
Straining every sinew to hold it high
As high as her head
as high as her heart
And across the courtyard she catches his eye
In shame he looks away
Only one person took the challenge
And the champion of the Queen
Was afraid
Held his life and watched her walk
Unsteady into the lists:
The queen’s own child, his princess,
His reproach.
And as the roar of the crowd
Swelled in disbelief
She swung once
With hope
Again
With honour
Once more
With pride
And all with faith.
Holding the sword like a talisman
She became legend
Warrior queen
Cold beauty mocking A haunting dream.
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Labels: dream, joust, Modern Irish Poetry, poem, poetry, queen, warrior
Crime and Punishment
A lie fluttered on the air
Lightly dropped
from glamorous lips
breathed from between bright-pink gloss
and hung,
hovered,
paused for a moment before it took flight.
I witnessed this,
amoungst other wondrous things;
miracles of human nature.
Saw its springing into life
Heard it throb from lip to lip
the tinkling champagne chatter counter-pointing
its fine and tremulous rise.
In the heat of summer
growing fetid
I stood and judged
Was jury, clerk and court
Magistrate in common cause
While vacuous heads
Under shiny hair
Nodded to the pointing of a dozen varnished claws
A quiet shadow gone from group to group
Taking evidence
Giving them rope
Letting them tie nooses
Dumbstruck by the power of illusion
Working on the bluntness of small minds
What sentence ,then?
What balancing of the scales could tip and turn
this cruelty into redress
Was I the one to cull the herd?
Would I say the harsh word against my own…
Loaded words, like bullets.
A lie was uttered
Soiling air and ear alike
Spite and malice bandied round
Tearing reputations, making
Shrouds
Of love and trust.
I wore black
With white gloved hands
And for each tiny thoughtless wound
Planned a thousand in return.
Geraldine Moorkens Byrne
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Labels: crime, Modern Irish Poetry, poem, poetry, punishment
This poem is about the loss of innocence. not in the conventional sense; but in that loss of illusion, loss of comfort sense. The illusions produced by ignorance, which is really another word for innocence - lack of knowledge - are sweet and impossibly pure. They are the illusions of loyalty and friendship and love that make our childhoods and adolescence so vivid. The loss of these illusions, no matter how much better off or safer we are in knowing, is something to be mourned.
And now I pride my adult heart/For adult sins to see./Yet as a dupe in innocence/In summer games and pretty play/My heart was far more free.
I wrote it in my late twenties, which for me was a time of realisation in itself; when the seperation between adulthood and childhood, youth and maturity, innocence and knowledge became set and unyielding.
Making Amends
You used honeyed words
I used wildflowers in a glass jar
It seemed mad to be at odds
While bees and flowers and summer sun
Conspired to make us smile.
All childish grief dispersed
Games and play resumed
Our chubby arms entwined
Like honeysuckle ropes that bind
Our idols to their throne.
And now I wiser am,
And hear beneath your tone
To all the use you have for me
To all the use you ever had
Had I but ever known
And now I pride my adult heart
For adult sins to see.
Yet as a dupe in innocence
In summer games and pretty play
My heart was far more free.
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14:56
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Labels: age, amends, Modern Irish Poetry, poem, poetry, youth
And this is part two of yesterday's poem; remembrance of them in death. It is a painful subject, but again with bitter-sweet and tender memories of a life that should have been longer. I tried to keep match the sense of loss, of the potential of this life, The carnage of nations surrounded my soul but I/ I am released with the individual himself, this unique and mad, eccentric and wonderful, tragic and comic soul we all lost too early.
To D.C.
Memorial Gardening
Revisiting the scene, it struck me at once-
how divine it all was;
how the angels of god were at play.
And I counted the stars from the plateau of steel
while the campfires grew dim in the day.
The carnage of nations surrounded my soul
but I, I am released.
I feast on the bones of a banquet grown cold
They’ll never grow old, the deceased.
Ah, I have the secret of dying for love
and I care not for dying of hate.
If this dance were to cease, I would cry out in rage-
as I carry the secrets of state.
I long ago realized how it began-
the man who was cheated made money
the money become the compost of souls
the holy flocked like the flies do to honey.
Ah! I cannot be burdened by Musings and dreams
Away with the shades of the battle-scarred dead
These contours of concrete are swaying like flags
The graves stones are huddled like sheep in a storm
And poppies are clouding my head.
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Labels: death, Ireland, irish, memory, Modern Irish Poetry, poem, poetry, remembrance
This is part of a two-part poem, or perhaps more properly two poems both memorials to the same person. The first remembers them living and here it is. It's a sad and painful remembrance, but one that is also sweet and tender; hence the poem tries to reflect the rawness of remembering tempered by the bitter-sweetness of nostalgia and shared joys recalled.
To D.C.
Memorial 2000
You have caused me,
more pain in the remembering,
than any hurt in real-time ever could.
From out of nowhere,
you assault me.
Stealing time.
I smell the newly opened pages of a book
and see again
the white desked college library
in springtime sun-
the sweetest silence,
the ordered rows of books.
The smell of you,
your skin golden,
your eyes on mine.
I inhaled deeply
And held it as long
As lung and heart could stand
until the pressure made me exhale.
And rushing back
Came shop and street and traffic
and rain and wind
and thirteen hard won years
and adulthood.
And my very bones ached.
Geraldine Moorkens Byrne
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15:15
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Labels: death, Ireland, irish, memory, Modern Irish Poetry, poem, poetry, remembrance
Well to counteract the mushiness posted this morning (though frankly still in an exceedingly mushy frame of mind!) here are some Anti-Valentines to leaven the recipe. The PPP used to hold an annual Anti-Valentine event, inviting poems on the theme of not being in lvoe, love going sour, love hurts, and of course the perrenial classic "all men are bastards" although the male members of the PPP have put their foot down about that!
so here's to bitter, twisted, heat seeking, revengeful, cynical Anti-valentines: because we've all been there once or twice!
The Pass.
Sleep by me, he says,
as if
It would be nothing,
a graceful gesture,
like coffee on a workday afternoon.
We are estranged but not strangers.
And it
would be worse than mundane,
a social crime,
not to remain friends, my ex-lover says
And friends, he smiles his urbane smile
at times
seek comfort in
each other arms and beds
a very cosmopolitan affair, my good friend said
but I am urban not urbane;
I see
Your treaty flag as false
A pirate on the matrimonial sea
And I decline the salad and you, over lunch.
GMB 2000
The Love Poem
You write out your love in fine letters
and point out the truths of my heart
Fine words of devotion, drenched in emotion
aimed at my soul like a dart.
I read them and try to ignore you
the eager desire in your eyes
determined detection, demanding affection
provoking me just to tell lies
I sit with your verse in my two hands
and swear that they rival Shakespeare
seem to attract you, I just can't distract you
you simper and pucker and leer.
I think I will keep this last effort,
the love it professes is
strong
it may serve a function, when I seek an
injunction
the law says that stalking is wrong.
Oh god will this nightmare be over?
I cringe at the rythym and rhyme
I blush at the meaning and pray that I'm dreaming
-you say you've been published this time?
Well,my life is over I know it.
You stuck me in the title, I see.
so there's no doubt at all, when you say 'living doll'
the unfortunate referred to is me!
And Angel and Fairy and Sweet-heart
and what is that last bit again.
Ah yes, I'm excited, madly delighted
to be known as your soft fluffy hen.
No, really. Thanks. A lot.
GMB 2000
Lisa D is getting wed
lisa D.
the belle of half a dozen balls
who took a thousand calls
curtained, or otherwise
is getting wed
hitched
shackled
now ball and chain
where once was piece of fluff
is it enough, she wonders
to really really like?
When lisa d was like me, we used to dream
of white and cream
we played bridesmaid
we played bride
while mothers cried with maternal pride
and we were going to be famous
before we married a charming prince
much has happened since those summer days.
I stand gowned to her attend,
lisa d who was my friend
and by talking through the guest list one more time,
we may avoid saying goodbye.
for lisa d is getting wed. lisa d
is getting hitched.
Lisa d is shackled now.
GMB 2000
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13:16
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Labels: anti valentine, anti-love, Modern Irish Poetry, poetry, valentine
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Labels: Ireland, irish, Modern Irish Poetry, poem, poetry, poetry news, valentine
A Divine Image
Just one of my favourite poems; one of the poems I read in my youth that caused a shift in my perception, in this case of divinity and creation. If we are made in "His" image - what a reflection. And yet, Blake does not deinigrate the reality of humanity, even while rejecting the sentimentality of Christian theology on the point. Humanity, in all its gripping reality, is divine; without ever needing to be derivitive.
A Divine Image
Cruelty has a human heart,
And Jealousy a human face;
Terror the human form divine,
And Secresy the human dress.
The human dress is forged iron,
The human form a fiery forge,
The human face a furnace sealed,
The human heart its hungry gorge.
William Blake
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15:13
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Labels: divinity, Gods, poetry, William Blake
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Labels: Modern Irish Literature, Modern Irish Poetry, poem, poetry
It's Poetry, Jim but not as we know it..
Burlesque Poetry Hour
Taking It Off for Your Art
by: Sandra Beasley
It was January 2006, and a new year always brings the thirst for something different. I was trying a new cocktail: the Down ‘N Dirty Martini (olives and a dash of Tabasco). A new scene: a banquet in the cozy, cherry-paneled Dark Room at the Bar Rouge on 16th Street. A new series: Burlesque Poetry Hour, which promised fresh, edgy poets in a swank setting. The inaugural reading featured Deborah Landau, of New York, and West Coast poet Kim Addonizio. I was ready for anything.
Well, almost anything.
After Kim Addonizio’s scorching set of poems on love, betrayal and the praises of gin, our hostess Gilda coaxed the audience into chanting:
“Take…it…off. Take it off!”
.burlesque poetry
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WH AUDEN
In praise of a guilty geniusBritain has a curious ambivalence towards the poet and critic WH Auden, in part since he 'abandoned' England for the US in the 1930s. In the year of his centenary, Katherine Bucknell welcomes the new attention due a rare and questing spirit Sunday February 4, 2007
WH AUDEN
------------------------------------
and the latest edition of The Poetry Life and Times is up and its excellent.
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The Children of Lir Sailed into Bantry Bay
Four white breasts abreast in the blue harbour
How are you faring, i asked for something to say
Heartbroken at their endless wandering selves.
We are fine, they replied with courage
we sail where the winds allow and soon
we will find safe anchorage, in the bosum of Lir
and rest in the safety of our home.
How many years have I asked the same question?
How many times have you replied with hope?
I pray someday I will come for you, my four friends
and ye will be far away, finished wandering at last.
First Published in Prairie Poetry Ezine
It's a very nostalgiac poem; the games and illusions of childhood and the fascination exerted on us by America - a place that seemed as real as Dublin and as unreal as Narnia, at the same time.
Irish Cowboys
The wild west for us
was never the stone walls
and fragments of land between them
the ragged, wild, bog-spawned
west of Ireland
It was a topography, a dialect, a code
as familiar as our parents
or our national tongue
gleaned from Television, old movies
dog-eared paperbacks.
We were born in Dublin
but we all, each one,
roamed the wild praries
hunting buffalo in our souls
spat tobaccy and smoked Marlborough
walked bowlegged - howdy pardner -
or grim and gimlet-eyed, we eyed the
scorching sun
talking in monosyllabic knowing exchanges
about drought, and cattle dying, and crops failing
thwarted in our childish hearts by
near incessant rain
and insolent verdant green.
Geraldine Moorkens Byrne
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10:03
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Labels: Ireland, irish, irish cowboys, poem, poetry, prairie poetry
one of the things I find fascinating about history and archaeology is that from our early ancestors right on down to our own urbane modern polished selves, human nature simply doesn;t change that much. Sometimes this is a bad thing, but more often I find it comforting, endearing. I love the sense one gets that five thousand years ago for example some woman put on her best clothes and make-up and went out to meet a bloke she hoped would finally propose that night. Or some father anxiously watched his children as they entered adolescence, hoping they wouldn;t get led astray by the adult world and choices opening to them and wishing he could protect them longer. Strip away all ritual and religion, and what you ahve is the core of humanity; our hopes and dreams and fears. The rest are simply the trappings around them by which we seek to make them tangible or protect ourselves from thigns going wrong.
And of course if there is one factor of human existance that will never change its that no matter how noble and grand and significant the edifice the ordinary joe soap who has to build the damn thing takes his pleasure and his comfort where he ca, And noone throw a party like a bunch of bulders!
http://news.independent.co.uk/uk/this_britain/article2201086.ece
The Weekend
My shoulders ache from hauling rock
each huge unyielding building block
the high priest is an awful fool
and the foreman really isn't cool
I've worked from dawn for days and nights
put up with cold and whips and slights
but come tonight I'll be just fine
if I have some food, a wench, some wine!
This stone circle will ne'er be built
I've had this project up to the hilt
but if I work like a dog all day
I'll party all the night away!
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Labels: archaeology, funnies, poem, stonehenge
posted by Sara Curran on livejournals this is a great piece, a lovely ingenious fairytale...thoroughly enjoyed reading it!
The Ugliest Woman in the World
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Labels: Ireland, irish, sara curran, short story, ugly woman
This poem was inspired by a poetic "conversation" with another poet, Mad Mickster Murphy; we like to exchange our increasingly outrageous views on a variety of subjects but this is one (perhaps the only one) where we found ourselves in complete agreement!
One one level it's an appreciation of the careful patient study that turns talent into skill, the hard work that underpins the greatest success. On another it's a sigh of exasperation at those who like to criticise but never actually do, never contribute, never take the risk of creation.
Whatever the art form, when you produce you risk; part of yourself, part of your ego, part of your inner landscape laid bare. Those who will not take the risk, but want the privilege of criticising - these are the dreaded armchair esperts
The Armchair Expert...
There are a race of little blighters
full of venom, full of spite
known to all who make or build
as 'youknowyouhaventdonethatright'
this strange species never make
nor build nor fix nor e'er create
their only purpose is to watch
the work of others and berate!
They see each flaw, and always think
if only they had had a say
they would have made it bigger, better
superior in every way!
They trot out all their cliched phrases
'you should have, could have, done it thus'
the worker tries to show their error
but this just leads to greater fuss.
'Oh you're just jealous,' comes the chorus
'you see that I could do it best.'
The worker bows their head and sighs
and tries again to show the jest.
How they, by hours of patient work
have learnt the skill and mastered trade
the scars on hand, the calloused fingers
show the price each one has paid.
How to silence monkeys chattering?
How to stop the wittering birds?
How to bid the 'expert' silent
when they have nothing but their words?
The worker suffers slings and arrows
shafts of venom, jealous jeers
but words fade with the last faint echo ...
the thing he builds outlasts the years.
Geraldine Moorkens Byrne
1.It's been a roller coaster ! Firstly my little book has been more successful than I dared dream, with solid sales and great reviews. I ...